Tracey MatisakYou worked with PHC previously on

I really enjoyed Humanities Live, I thought the content was excellent. It was fun to do a show that combined arts and culture and academics. It was very exciting when the opportunity came to take the show on the road.

What are your thoughts on the line-up of Speakers?

They’ve been wonderful. What really strikes me is the diversity. We just did a show on American Indians. We’ve also done Pennsylvania German culture, the history of women in Northeast Pennsylvania, African American storytelling. That keeps it interesting and exciting.

Is there a certain approach you take when interviewing Speakers?

I would say two things. Laurie and Pam prepare me very well. They brief me about what the Speaker is going to talk about. I also approach it the same way I do when I fill in on WHYY’s Radio Times. I approach it as someone who doesn’t know much about the subject. I try to ask the kind of questions that somebody who’s unfamiliar with the topic would ask.

Do you as a veteran broadcaster still get nervous?

You know, I still do get nervous. I don’t get nearly as nervous as I used to when I was first starting out. But, I never fail to get butterflies before a show. And I think that’s a good thing. Because it shows that you care and you want to have a good show. And look, any time you’re doing television, whether live or on tape, there is always the potential for things to go haywire. So you sort of go into each show and don’t know what’s going to happen once the cameras start to roll. But, I think a little bit of nervousness is healthy.

Can you talk about the taping audiences that the shows have drawn so far?

They’ve been really interesting. When we open up the show for the audience Q&A, we not only get people asking general questions, but there also are people who tell personal anecdotes and stories about the subject. People talk about growing up Pennsylvania German. About wonderful African American storytellers they’ve heard or stories that were passed down in their families from generation to generation.

Has there been a favorite show or experience so far on the road?

If I had to pick one, I think it would be the African American storytelling one. Linda Goss and Ed Stokes sang songs and told stories. The audience was part of the show — singing and dancing, clapping and stomping. And there was the piece about the history of oral tradition and the importance of passing these stories down from one generation to another. Because they're not just stories for stories sake. They're stories that have life lessons in them.

What do you look forward to coming up?

I look forward to all of them really. One jumps out at me, the Nancy Drew show. My grandmother gave me my first Nancy Drew book as a Christmas gift when I was about 8 or 9. I proceeded to devour book after book. I'm also interested in this taping [at Osterhout Free Library] because it's near my hometown of Hazleton. It's a chance to go home and also a chance to learn about the history of a childhood heroine of mine.

What do you want viewers to take away from the show?

I want people to come away, as I have, saying, “Wow, I learned something.” Something about another culture. Something about a topic they knew nothing about. I hope that people come away with a greater appreciation for the humanities which I see as a perfect marriage between academics and the arts. That it opens people's eyes to what PHC does and just inspires people to want to learn and explore what the humanities has to offer.

Dave EmenheiserDave Emenheiser - HOTR Series Producer

Talk about your role in putting together HOTR?

I’m the producer of the series for Pennsylvania Cable Network (PCN). That means working with PHC to select the programs and locations for the show. After that putting together the logistics of the program — what we’re going to do technically. Putting the crews together, etc.

What experiences have prepared you for HOTR?

A lot of things. I was an art major in high school so I have some experience with the arts. I also played the violin and also the flute for a very short time, so I have some musical background. I’ve worked in TV production since I was about 15 years old. I was at a TV station before I graduated from high school. So, I’ve got about 28 years worth of broadcasting experience with radio, TV, cable. In the ten years I’ve been at PCN, I have produced a number of series that are a little more involved with production values, such as the state park series and the It’s History series. A number of those elements — how to put together a show, how to edit it, to time it and pace it — all go into putting together a show like HOTR.

How is producing HOTR different than producing other shows you’ve done?

There are unique challenges. While state parks involve different locations, they’re all pretty similar formats. The challenge there is to make each state park individual and different. For HOTR, every location is different. It could be a library. It could be a performing arts center, a theatre. We were in a barn which added its own production elements. It’s a different presentation each time. One time it may be music, another time it may be a lecture with slides. We get a different audience for each one. So, you have to take all of those elements into consideration.

Have you learned anything as a producer from this experience?

There have been a couple of things. On the humorous side, if you do a site survey you should ask about any background noises. We had one taping where there was a helicopter next door. We didn’t hear it at all during the site survey, but it kept coming and going during the program. On a more practical side, it’s a little different from some other things I’ve done where I’ve had more control. I’ve learned to go ahead and make decisions about when it’s OK to stop and start the cameras and to take the time.

Favorite experiences so far?

All of the presentations have been very interesting so far. But, I think one of the most interesting was the presentation [PA German Music Dance & Instruments] in the barn in Kempton. It had a lot of production challenges, but it ended up with a very good look with people sitting on hay bales and having the doors open and being able to see the landscape in the background. It was visually appealing and because it was a musical presentation, it was very upbeat.

What is the inspiration behind HOTR?

It’s important for the public to see the humanities in action. Many times as a staff, we find it hard to convey what the humanities are all about. You have to show it as a dance, as a talk, or as someone asking a question and understanding for the first time how important it is to know your own history. HOTR is inspired by what PHC does everyday in communities across Pennsylvania.

How hands-on are you in the production of the show?

PHC is incredibly hands-on. We develop the shows moment by moment. From talking through presentations with Speakers, to talking with the sites about how they’ll be represented. We script the tapings and work very closely with PCN to translate what we have in script form to screen.

What is the most rewarding thing about seeing this vision realized?

This is a beautiful opportunity for PHC staff and board to connect with people in the community in a very real and authentic way.

Pam Shropshire - HOTR Associate Producer

Tell us about your role in making HOTR happen?

I’ve taken the lead on about half of the shows. Working with sites like Albright Memorial Library to transform their space into a TV studio. I also work closely with Speakers to adapt their regular presentations into something that’s TV friendly. And, I work on the communications side of things.

Talk about traveling to taping sites across the state?

We're a state-wide organization, but don't always have the opportunity to travel. What I like best about the project is the collaboration. Working with staffers like Laurie, Kelly and Emilie. With the PCN crew, particularly producer Dave Emenheiser and show host Tracey Matisak. And when we actually tape on-site, the site and the Speaker complete the collaboration.

Kelly McNamara - HOTR Production Assistant

What are your duties in putting on HOTR?

I do the social media like Facebook and YouTube. I designed and formatted the show’s blog (www.humanitiiesontheroad.org). At tapings, I help the Speakers rehearse and run the teleprompter for Tracey Matisak. Pam and I work together on the audience Q& As. It always changes.

You’re a graduate student in Temple University’s Media Studies program. How have your studies prepared you?

I took a production class. Certain elements from that helped. Simple things like lighting. Otherwise, most of my courses have been theory and not really production-related.

What is the importance of having a presence on Facebook and YouTube?

It’s about building a community around the humanities and continuing the conversation outside of the tapings and on-air broadcasts.

Jen Danifo - HOTR Blogger

What do you like most about writing for the blog?

This is my first time writing for a blog. This is also my first time seeing the episodes. I’m taking the “student of humanities” approach. In this way, I feel a kinship with the viewing audience. Many of them will be seeing these episodes for the first time too. The fun in writing for the blog is discovering the stories in each episode. Every speaker has a story to tell. It’s up to me to highlight those stories and convince the public to tune in.

What is your favorite part of Humanities on the Road?

The audience, hands down. They are always so excited to have a speaker in their town! Coming from Philadelphia, I know a thing or two about hometown pride. But people all over Pennsylvania have that same kind of pride, no matter where they are from or what they’ve been through. They all want to talk about their communities and their history. Also, there’s this collective enthusiasm that connects people over the course of a taping. It’s fascinating to watch. People leave energized about their participation. You learn so much about the people of Pennsylvania by attending a taping and watching a show.